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Kim Levin is an American art critic and writer. Levin was a regular contributor to The Village Voice from 1982 to 2006. Since 2007 she has been contributing regularly to ''ArtNews''. Levin worked as a correspondent to ''Opus International'' from 1973-1977. From 1980-1994, she was a correspondent at ''Flash Art.'' She also worked as a contributing editor for Arts Magazine from 1973-1992. Levin has also contributed to the publications; ''Parkett'', ''Artstudio'', ''Sculpture'' and ''VOIR'', among others. Her essays are also in books and exhibition catalogues. Kim Levin received a B.A. from Vassar College and an M.A. in Egyptian Archaeology from Columbia University, Department of Art History and Architecture. She continued PhD course work at the New York University Institute of Fine Arts. Levin has lectured in the U.S. and internationally at: the Guggenheim Museum, The New School for Social Research, Barnard College, Brown University, the São Paulo Art Biennial, the Whitney Museum of American Art, the Museum of Contemporary Art, Chicago, the California Institute of the Arts, the Cincinnati Center of Contemporary Art, and other institutions.〔(“April, 2006: Garwood, Levin, and Sorokina.” Artcritical ) April 7th, 2006.〕 Levin was Treasurer of AICA-USA (Association international des critiques d’art) from 1982-1984, Vice President from 1984-1990, and President from 1990-1992. She became Vice President of AICA International in 1991 and was elected President in 1996 for two terms, ending in 2002.〔(“AICA in Europe” The Brooklyn Rail. ) May 16, 2014.〕〔(“Art Critics Face Up to a New World.” ) Los Angeles Times. October 14, 1991.〕 In 2002, an installation of Levin’s preliminary notes written on press releases and gallery announcements, appeared in the solo exhibition “Notes and Itineraries,” at Delta Axis, Memphis, curated and installed by the artist John Salvest. The show was re-conceived at Ronald Feldman Fine Arts, New York (2006), and then traveled internationally to Haas & Meyer, Zurich (2006), The Ludwig Museum, Budapest (2007), KIASMA, Helsinki (2008) and was included in the group show “Retracing Exhibitions” curated by Kari Conte and Florence Ostendat at the Royal College of Art, London (2009).〔(March/April 2004 Art Papers. p. 43 )〕〔("Remembering Exhibitions." ) Tate Papers.〕 ==Exhibitions Curated== * “Arnold Mesches: A Life’s Work,” retrospective including 88 paintings, collages, and drawings from 1945 to 2013. Miami-Dade Museum of Art and Design, February–May 2013.〔("Arnold Mesches in Miami A 60 Year Retrospective." )〕 * Printed Project, Issue 7, Summer 2007, “Unconditional Love” an exhibition in the form of a magazine.〔(Printed Project, Issue 7, Summer 2007, “Unconditional Love )〕 * Commissioner, first Busan Biennale 2003 (co-curated).〔(Biennial Foundation )〕 * “Waterworks”, Nordiska Akvarellmuseet, Skahamn, Sweden. 2001.〔(“Waterworks”, Nordiska Akvarellmuseet, Skahamn, Sweden. 2001 )〕 * “John Salvest: Time on his Hands”, Phoenix Art Museum, October 12, 1999 – January 23, 2000.〔(John Salvest: Time on his Hands”, Phoenix Art Museum ), October 12, 1999 – January 23, 2000.〕 * “Max 98”, Art Museum of the University of Memphis. 1998. * “Dui Seid: Artist’s Estate” Karl Ernst Osthaus-Museum, Hagen, 1997. (Co-curated by Michael Fehr) * “Borealis 8: The Scream”, ARKEN Museum of Modern Art Copenhagen, November 16, 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kim Levin」の詳細全文を読む スポンサード リンク
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